Sunday, May 31, 2020

Day 79


"...one ought every day at least to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words." -Goethe

A song for today: Blue Oyster Cult "Then Came the Last Days of May" (Could use a little more cowbell.)

Blue Oyster Cult.png

A poem for today: "Deconstructing New England" by Alexandria Peary

Deconstructing New England


Toss in some wavy lines, an equal sign, and a squiggle,
then a lilac log, boulders with faces, a few phrases
like rock walls, twin marks from wagon wheels on granite.
The tell-tale lilacs give away the cellar hole:
magnetic lilacs, like nineteenth-century girls
in pinafores and blossom sprays, stationed
beside their no-longer houses. They look about to sing.
Banana curls. Purple ribbons tying their waists.
And boulders in the woods act as billboards
interrupted by an enormous Mont Blanc fountain pen, lounging
like an alligator. It intrudes. Comes out of my present
time. No. Be less. It's a Bic ballpoint. Bleached by deletion,
"By the middle of the nineteenth century, when de
forestation reached its peak, more than half
of New England's native forests"—according to Robert M. Thorson,
Stone by Stone—"as much as 80 percent in the heavily settled
parts of southern New England—had been cut down,"
"replaced with 'open space,'" the autumn foliage
is paint-by-number and different tabs throughout
                   are half-finished murals
of a single type of tree in a single time of year.
Here's the place where someone w/ a pewter spoon kneeled
to plant the Lady's Slippers that still appear,
and the mushrooms like a stack of dinner plates
that run up the side of a rotting tree.
Here's the fallen-in deer stand
and the apple tree among maples making fruit for deer.
Outside the woods, the puff of dust on the road
where the school bus used to stop.
Outside is the failure to stay in touch
or, really, to ever be in touch. I didn't
ever know them (my neighbors) well.
In winter you are handed a white tray
with a few tiny rock walls, short lines drawn with a ruler,
an indent for where a cellar hole could be
a hyperlink to once go once more to the lake
and told to go at it, go play.

Works Cited

Blue Oyster Cult. "Then Came the Last Days of May." Blue Oyster Cult, Columbia, 1972.

Peary, Alexandria. "Deconstructing New England." Poetryfoundation.orghttps://www.poetryfoundation.org/poems/57413/deconstructing-new-england. Accessed 31 May 2020.

Thursday, May 28, 2020

Day 76

Maya Angelou | Russell Mondy | Flickr

"...one ought every day at least to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words." -Goethe

Six years ago today, Maya Angelou passed away.

A poem by Maya Angelou that reminds us we are all in this together.

Alone

Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don't believe I'm wrong
That nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
There are some millionaires
With money they can't use
Their wives run round like banshees
Their children sing the blues
They've got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
Now if you listen closely
I'll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
'Cause nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.

A song featuring Maya Angelou (and based on one of her poems): Buckshot LeFonque's "I Know Why the Caged Bird Sings" (with Branford Marsalis on soprano sax!)

Branford Marsalis Buckshot LeFonque.jpg

Works Cited

Angelou, Maya (1928-2014). "Alone." Poets.orghttps://poets.org/poem/alone. Accessed 28 May 2020.

Buckshot LeFonque. "I Know Why the Caged Bird Sings." Buckshot LeFonque, Sony Music, 1994.

Wednesday, May 27, 2020

Day 75

Rachel Carson: The Edge of the Sea, The Sea Around Us, Sil… | Flickr

"...one ought every day at least to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words." -Goethe

A song for Rachel Carson's birthday: Primal Scream "Silent Spring"

Sonic Groove Flower album cover.jpg

A poem for Rachel Carson's birthday: Anthony Walton "In the Rachel Carson Wildlife Refuge, Thinking of Rachel Carson"

Poem by Anthony Walton (2011). 2011 Anthony Walton
This work is licensed under a Creative Commons Attribution-NoDerivs 3.0 Unported License.

Works Cited

Primal Scream. "Silent Spring." Sonic Flower Groove, Elevation, 1987.

Walton, Anthony. "In the Rachel Carson Wildlife Refuge, Thinking of Rachel Carson." Environment & Societyhttp://www.environmentandsociety.org/exhibitions/rachel-carsons-silent-spring/silent-spring-literature-and-arts. Accessed 27 May 2020.

Sunday, May 24, 2020

Day 72


"...one ought every day at least to hear a little son
g, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words." -Goethe

A song for Bob Dylan's birthday: Bob Dylan "You Ain't Goin' Nowhere"

A photograph of the back of Dylan's head as he turns toward the camera

A poem for Bob Dylan's birthday: Henry Timrod's "A Rhapsody of a Southern Winter Night," from which Dylan borrowed some lines for his song "When the Deal Goes Down." Check out this article about a controversy that arose from Dylan's alleged plagiarism

A Rhapsody of a Southern Winter Night

Oh! dost thou flatter falsely, Hope?
The day hath scarcely passed that saw thy birth,
Yet thy white wings are plumed to all their scope,
And hour by hour thine eyes have gathered light,
And grown so large and bright,
That my whole future life unfolds what seems,
Beneath their gentle beams,
A path that leads athwart some guiltless earth,
To which a star is dropping from the night!

Not many moons ago,
But when these leafless beds were all aglow
With summer’s dearest treasures, I
Was reading in this lonely garden-nook;
A July noon was cloudless in the sky,
And soon I put my shallow studies by;
Then sick at heart, and angered by the book,
Which, in good sooth, was but the long-drawn sigh
Of some one who had quarreled with his kind,
Vexed at the very proofs which I had sought,
And all annoyed while all alert to find
A plausible likeness of my own dark thought,
I cast me down beneath yon oak’s wide boughs,
And, shielding with both hands my throbbing brows,
Watched lazily the shadows of my brain.
The feeble tide of peevishness went down,
And left a flat dull waste of dreary pain
Which seemed to clog the blood in every vein;
The world, of course, put on its darkest frown—
In all its realms I saw no mortal crown
Which did not wound or crush some restless head;
And hope, and will, and motive, all were dead.
So, passive as a stone, I felt too low
To claim a kindred with the humblest flower;
Even that would bare its bosom to a shower,
While I henceforth would take no pains to live,
Nor place myself where I might feel or give
A single impulse whence a wish could grow.
There was a tulip scarce a gossamer’s throw
Beyond that platanus. A little child,
Most dear to me, looked through the fence and smiled
A hint that I should pluck it for her sake.
Ah, me! I trust I was not well awake—
The voice was very sweet,
Yet a faint languor kept me in my seat.
I saw a pouted lip, a toss, and heard
Some low expostulating tones, but stirred
Not even a leaf’s length, till the pretty fay,
Wondering, and half abashed at the wild feat,
Climbed the low pales, and laughed my gloom away.

And here again, but led by other powers,
A morning and a golden afternoon,
These happy stars, and yonder setting moon,
Have seen me speed, unreckoned and untasked,
A round of precious hours.
Oh! here, where in that summer noon I basked,
And strove, with logic frailer than the flowers,
To justify a life of sensuous rest,
A question dear as home or heaven was asked,
And without language answered. I was blest!
Blest with those nameless boons too sweet to trust
Unto the telltale confidence of song.
Love to his own glad self is sometimes coy,
And even thus much doth seem to do him wrong;
While in the fears which chasten mortal joy,
Is one that shuts the lips, lest speech too free,
With the cold touch of hard reality,
Should turn its priceless jewels into dust.
Since that long kiss which closed the morning’s talk,
I have not strayed beyond this garden walk.
As yet a vague delight is all I know,
A sense of joy so wild ’t is almost pain,
And like a trouble drives me to and fro,
And will not pause to count its own sweet gain.
I am so happy! that is all my thought!
To-morrow I will turn it round and round,
And seek to know its limits and its ground.
To-morrow I will task my heart to learn
The duties which shall spring from such a seed,
And where it must be sown, and how be wrought.
But oh! this reckless bliss is bliss indeed!
And for one day I choose to seal the urn
Wherein is shrined Love’s missal and his creed.
Meantime I give my fancy all it craves;
Like him who found the West when first he caught
The light that glittered from the world he sought,
And furled his sails till Dawn should show the land;
While in glad dreams he saw the ambient waves
Go rippling brightly up a golden strand.

Hath there not been a softer breath at play
In the long woodland aisles than often sweeps
At this rough season through their solemn deeps—
A gentle Ariel sent by gentle May,
Who knew it was the morn
On which a hope was born,
To greet the flower ere it was fully blown,
And nurse it as some lily of her own?
And wherefore, save to grace a happy day,
Did the whole West at blushing sunset glow
With clouds that, floating up in bridal snow,
Passed with the festal eve, rose-crowned, away!
And now, if I may trust my straining sight,
The heavens appear with added stars to-night,
And deeper depths, and more celestial height,
Than hath been reached except in dreams or death.
Hush, sweetest South! I love thy delicate breath;
But hush! methought I felt an angel’s kiss!
Oh! all that lives is happy in my bliss.
That lonely fir, which always seems
As though it locked dark secrets in itself,
Hideth a gentle elf,
Whose wand shall send me soon a frolic troop
Of rainbow visions, and of moonlit dreams.
Can joy be weary, that my eyelids droop?
To-night I shall not seek my curtained nest,
But even here find rest.
Who whispered then? And what are they that peep
Betwixt the foliage in the tree-top there?
Come, Fairy Shadows! for the morn is near,
When to your sombre pine ye all must creep;
Come, ye wild pilots of the darkness, ere
My spirit sinks into the gulf of Sleep;
Even now it circles round and round the deep—
Appear! Appear!

Works Cited

Dylan, Bob. "You Ain't Goin' Nowhere." Bob Dylan's Greatest Hits Volume II, Columbia, 1971.

Timrod, Henry (1828-1867). "A Rhapsody of a Southern Winter Night." Poetryfoundation.orghttps://www.poetryfoundation.org/poems/48897/a-rhapsody-of-a-southern-winter-night. Accessed 24 May 2020.